My submission into the Moby, Vimeo and Saatchi & Saatchi music video challenge. This is dedicated to all the fathers, husbands, son and brothers that have lost someone special….
A young mother suffering from a terminal illness finally succumbs to her pain and agony. Leaving behind a heartbroken father that is having difficulty moving on and their young, brave daughter. While reminding him how to live and love again, the young girl teaches her father how to welcome the future after a tragic loss. Continue reading
I notice in your video, that you have your Zoom H1 mounted in a shock mount on top of the camera. I am on the verge of purchasing the Zoom H4n and hopefully the Rode NTG-2 shotgun microphone. My intension is to mount the NTG-2 on top of the camera and the Zoom H4n (somehow) in a vertical position to one side of the camera so I can easily view the screen while monitoring the audio levels. I would like to later add an external LCD screen to assist in better focus. My questions are: Continue reading
A few days ago I tweeted a couple pics of my new Run and Gun DSLR Rig, the Cowboy Studio (CBS) Shoulder Support Pad. Since then I have received a lot of requests for more information and additional pics, so here we go….
First off thanks to Caleb Pike and Phil Hoyt for turning me on to this idea and saving me hundreds of dollars! I was looking for an affordable solution and this sure did fit the bill.
For those unfamiliar with the product it’s basically a low cost, lightweight shoulder rig, and retails anywhere from $20.00 to $30.00 online. I have used other DSLR rigs, including the Red Rock Micro eyeSpy Standard, which sells for $826.50. However, I must say I greatly prefer the CBS solution. One of the biggest features I like about the CBS rig is that it can be completely hands free. While using the Red Rock Micro system, I often found myself needing to use both of my hands, which was simply impossible. With the CBS I can do just that. Ohhh..and did I mention how comfortable it is? It’s much lighter then anything else I have tried and put’s less strain on my back and shoulders, which allows me to go longer with less fatigue. Continue reading
I was hired by local San Antonio rock band Tension Speak to create a new music video for their upcoming CD release, “This War”. They choose the track “Choke” and after a brief meeting with the band, and listening to the inspiration for the song I came up with a storyline. The song is about the world caving down on you, with so much pressure you feel like you are getting choked out. I know I can relate to this, and I believed others could as well. We were to use 4 members of the band to show 4 different vices, including alcoholism, drug addiction, no money, and cheating wife. The lead singer, Fred Silva was to play the role of the “Angel”, stopping the other person from doing damage to themself or to others. Sounded great on paper, but could I pull this off?? This would be my second music video, and after the first one, I was confident, but staying humble. I went home that night, thought about it some more, came up with a shot list and went to bed uneasy. Continue reading
In a previous blog post I raved how much I was enjoying my new D|FOCUS Follow Focus V3. However, one of the bummers for me was not able to use my new focusing solution on my Canon T2i/550d, with Canon 50mm 1.4 lens and BATTERY GRIP, battery grip being the key word here. Thankfully, I wasn’t bummed out long, as David Aldrich, the man behind D|FOCUS Systems, noticed the need for a solution and is now producing the D|Riser!
Description for website:
“The D|Riser is a riser and offset block to raise the height of the standard D|Focus V3 gearbox. The D|Focus V3 has a low profile design for a light weight and space saving configuration but in some cases it may be necessary to raise the height of the D|Focus V3. Continue reading
via comment: “What are your settings for premiere pro cs-5 and what do you export as?” -Randy
Great question Randy! In fact, I had this very same question when I first started using Premiere Pro CS5. I was lucky enough to be pointed in the right direction by a fellow HDSLR shooter and Premiere user, Richard Allen Crook. Below are a couple of screenshots I took of the settings I use to produce a 1080p, 16:9 aspect ratio video and 1080p 2.35:1 cropped cinema version. Please remember, the export setting’s I use below is what has worked for me and might not necessarily be the right way to do it. Continue reading
Be sure to check out B&H’s new HDSLR Guide!
“The guide is an educational tool meant to provide critical information to independent filmmakers, photographers and cinematographers that want to create compelling content but would like to know more about the new form of filmmaking. In the guide, also find different categories of products that may be useful on a film set such as the latest lens controls, viewfinders, cameras, audio accessories, etc.”
After reading Nino Leitner’s Epic DSLR Viewfinder Review, I knew what had to be purchased next, an LCD viewfinder. There are quite a few viewfinders out on the market, however I had narrowed it down to the LCDVF 3:2 and the Zacuto Z-Finder Pro 2.5. It did’nt take me long to decide which unit to get and there were three reasons why I went with the LCDVF:
1) LCDVF has introduced a viewfinder made specifically for the Canon T2i/550D and it’s 3:2 screen. So when I got it home, I knew it would fit my platform perfectly. This was my most deciding factor.
2) Cost. The LCDVF clocks in at $119.00, and the Zacuto 2.5 at $395.00. Not a huge concern, but after hearing that Zacuto has something that could be “game changing” in the works, I did’nt want to drop money on a Zacuto product that could be obsolete in a few months. More on this, see #3. Continue reading
Aug. 21, 2010 – Officially released! Thank you for watching the debut music video for unsigned, San Antonio musician, Josh Glenn and first time director/editor, Rod Guajardo.